|
Lens Focal Length
Lens Focal Length may be calculated after
determining DISTANCE to SCENE (DS) from CCTV Camera and the
WIDTH of SCENE (WS) required at that distance.
Focal Length of Lens = (DISTANCE to SCENE ×
4.8) ÷ (WIDTH of SCENE).
All measurements in mm [equation for 1/3" Sensor, 4.8 mm wide
× 3.6 mm high]
Focal Length of Lens = (DISTANCE to SCENE ×
3.6) ÷ (WIDTH of SCENE).
All measurements in mm [equation for 1/4" Sensor, 3.6 mm wide
× 2.7 mm high]
Focal Length of Lens = (DISTANCE to SCENE ×
6.4) ÷ (WIDTH of SCENE).
All measurements in mm [equation for 1/2" Sensor, 6.4
mm wide × 4.8 mm high]
For example if DS = 1500mm, WS = 2000mm, Sensor = 1/3"
equation is:
(1500 × 4.8) ÷ 2000 = 3.6.
A 3.6 mm focal length lens will provide an on-screen image of
a scene 2000 mm wide at a camera distance of 1500 mm. In
practice results may vary ± ~15% due to component tolerances,
variations in image sensor dimensions and monitor over-scan.
Other transpositions of equation:
To Find:
Width of Scene = (DISTANCE to SCENE × 4.8) ÷
(Focal Length of Lens).
All measurements in mm [equation for 1/3" Sensor, 4.8 mm wide
× 3.6 mm high]
Width of Scene = (DISTANCE to SCENE × 3.6) ÷
(Focal Length of Lens).
All measurements in mm [equation for 1/4" Sensor, 3.6 mm wide
× 2.7 mm high]
Width of Scene = (DISTANCE to SCENE × 6.4) ÷
(Focal Length of Lens).
All measurements in mm [equation for 1/2" Sensor, 6.4
mm wide × 4.8 mm high]
To Find:
Distance to Scene = (Width of Scene × Focal
Length of Lens) ÷ (4.8).
All measurements in mm [equation for 1/3" Sensor, 4.8 mm wide
× 3.6 mm high]
Distance to Scene = (Width of Scene × Focal
Length of Lens) ÷ (3.6).
All measurements in mm [equation for 1/4" Sensor, 3.6 mm wide
× 2.7 mm high]
Distance to Scene = (Width of Scene × Focal
Length of Lens) ÷ (6.4).
All measurements in mm [equation for 1/2" Sensor, 6.4
mm wide × 4.8 mm high]
CCTV Lens
Calculator - (This calculator belongs to
cctv-information.co.uk copyright:
cctv-information.co.uk)
|
|
Lens Selection Guide for CCTV Cameras with 1/3 Inch Image
Sensor
| Lens focal
length: mm |
Horizontal
angle-of-view degrees |
Scene
width in mm @ 1 metre |
Scene
width in mm @ 3 metres |
Scene
width in mm @ 4 metres |
Scene
width in mm @ 5 metres |
Scene
width in mm @ 7 metres |
Scene
width in mm @ 9 metres |
Scene
width in mm @ 10 metres |
Scene
width in mm @ 15 metres |
| 2.1 |
108 |
2 286 |
6 857 |
9 143 |
11 428 |
16 000 |
20 571 |
22 857 |
34 285 |
| 2.9 |
88 |
1 655 |
4 965 |
6 620 |
8 275 |
11 586 |
14 896 |
16 551 |
24 827 |
| 3.5 |
73 |
1 371 |
4 114 |
5 485 |
6 857 |
9 600 |
12 342 |
13 714 |
20 571 |
| 3.6 |
72 |
1 333 |
4 000 |
5 333 |
6 667 |
9 333 |
12 000 |
13 333 |
20 000 |
| 3.8 |
|
1 263 |
3 789 |
5 052 |
6 315 |
8 842 |
11 368 |
12 631 |
18 947 |
| 4.0 |
62 |
1 200 |
3 600 |
4 800 |
6 000 |
8 400 |
10 800 |
12 000 |
18 000 |
| 4.3 |
58 |
1 116 |
3 349 |
4 465 |
5 581 |
7 813 |
10 046 |
11 162 |
16 744 |
| 5.0 |
|
960 |
2 880 |
3 840 |
4 800 |
6 720 |
8 640 |
9 600 |
14 400 |
| 5.5 |
|
873 |
2 619 |
3 490 |
4 364 |
6 109 |
7 855 |
8 727 |
13 091 |
| 5.7 |
46 |
842 |
2 526 |
3 368 |
4 210 |
5 894 |
7 579 |
8 421 |
12 631 |
| 6.0 |
45 |
800 |
2 400 |
3 200 |
4 000 |
5 600 |
7 200 |
8 000 |
12 000 |
| 6.5 |
44 |
738 |
2 215 |
2 954 |
3 692 |
5 169 |
6 646 |
7 384 |
11 076 |
| 8.0 |
34 |
600 |
1 800 |
2 400 |
3 000 |
4 200 |
5 400 |
6 000 |
9 000 |
| 8.5 |
|
564 |
1 694 |
2 259 |
2 824 |
3 953 |
5 082 |
5 647 |
8 470 |
| 9.0 |
|
533 |
1 600 |
2 133 |
2 667 |
3 733 |
4 800 |
5 333 |
8 000 |
| 11.5 |
|
418 |
1 252 |
1 670 |
2 087 |
2 922 |
3 757 |
4 174 |
6 261 |
| 12 |
23 |
400 |
1 200 |
1 600 |
2 000 |
2 800 |
3 600 |
4 000 |
6 000 |
| 15 |
|
320 |
960 |
1 280 |
1 600 |
2 240 |
2 880 |
3 200 |
4 800 |
| 16 |
17 |
300 |
900 |
1 200 |
1 500 |
2 100 |
2 700 |
3 000 |
4 500 |
| 18 |
|
266 |
800 |
1 066 |
1 333 |
1 866 |
2 400 |
2 666 |
4 000 |
| 25 |
11 |
192 |
576 |
768 |
960 |
1 344 |
1 728 |
1 920 |
2 880 |
| 39 |
|
123 |
369 |
492 |
615 |
861 |
1 107 |
1 230 |
1 846 |
| 50 |
5 |
96 |
288 |
384 |
480 |
672 |
864 |
960 |
1 440 |
| 69 |
|
69 |
208 |
278 |
348 |
487 |
626 |
695 |
1 043 |
Scene width is directly
proportional to Lens - Object distance, for example a 3.6 mm
lens (1/3" Sensor) at 1.5 metres captures a scene width of 2
metres, at 3 metres width is 4 metres, at 6 metres width is 8
metres, etc. etc.
Image height is 75% of width.
Figures in tables are
calculated values, no allowance has been made for
manufacturing tolerances, variations in image sensor
dimensions or Monitor 'Over-Scan'.
If a common Video Monitor or
TV is used to display images, up to ~ 15% of the image may be
lost in 'Over-Scan' and be unseen.
If images are displayed on a
PC Monitor using either our
VIDEO-VGA converter or a
PC Digital Capture
Card & Computer 100% of the image will be displayed. |
|
Lens Selection Guide for CCTV Camera with 1/4 Inch Image
Sensor
| Lens focal
length: mm |
Horizontal
angle-of-view degrees |
Scene
width in mm @ 1 metre |
Scene
width in mm @ 3 metres |
Scene
width in mm @ 4 metres |
Scene
width in mm @ 5 metres |
Scene
width in mm @ 7 metres |
Scene
width in mm @ 9 metres |
Scene
width in mm @ 10 metres |
Scene
width in mm @ 15 metres |
| 2.1 |
|
1 714 |
5 142 |
6 857 |
8 571 |
12 000 |
15 428 |
17 143 |
25 714 |
| 2.9 |
|
1 241 |
3 724 |
4 965 |
6 206 |
8 689 |
11 172 |
12 414 |
18 620 |
| 3.5 |
|
1 029 |
3 086 |
4 114 |
5 143 |
7 200 |
9 257 |
10 286 |
15 429 |
| 3.6 |
|
1 000 |
3 000 |
4 000 |
5 000 |
7 000 |
9 000 |
10 000 |
15 000 |
| 3.8 |
|
947 |
2 842 |
3 789 |
4 737 |
6 632 |
8 527 |
9 474 |
14 211 |
| 4.0 |
|
900 |
2 700 |
3 600 |
4 500 |
6 300 |
8 100 |
9 000 |
13 500 |
| 4.3 |
|
837 |
2 512 |
3 349 |
4 186 |
5 860 |
7 535 |
8 372 |
12 558 |
| 5.0 |
|
720 |
2 160 |
2 880 |
3 600 |
5 040 |
6 480 |
7 200 |
10 800 |
| 5.5 |
|
654 |
1 963 |
2 618 |
3 272 |
4 581 |
5 890 |
6 545 |
9 817 |
| 5.7 |
|
632 |
1 895 |
2 526 |
3 158 |
4 421 |
5 684 |
6 316 |
9 474 |
| 6.0 |
|
600 |
1 800 |
2 400 |
3 000 |
4 200 |
5 400 |
6 000 |
9 000 |
| 6.5 |
|
554 |
1 661 |
2 215 |
2 769 |
3 877 |
4 984 |
5 538 |
8 307 |
| 8.0 |
|
450 |
1 350 |
1 800 |
2 250 |
3 150 |
4 050 |
4 500 |
6 750 |
| 8.5 |
|
423 |
1 270 |
1 694 |
2 117 |
2 964 |
3 811 |
4 235 |
6 352 |
| 9.0 |
|
400 |
1 200 |
1 600 |
2 000 |
2 800 |
3 600 |
4 000 |
6 000 |
| 11.5 |
|
313 |
939 |
1 252 |
1 565 |
2 191 |
2 817 |
3 130 |
4 695 |
| 12 |
|
300 |
900 |
1 200 |
1 500 |
2 100 |
2 700 |
3 000 |
4 500 |
| 16 |
|
225 |
675 |
900 |
1 125 |
1 575 |
2 025 |
2 250 |
3 375 |
| 18 |
|
200 |
600 |
800 |
1 000 |
1 400 |
1 800 |
2 000 |
3 000 |
| 25 |
|
144 |
432 |
576 |
720 |
1 008 |
1 296 |
1 440 |
2 160 |
| 40 |
|
90 |
270 |
360 |
450 |
630 |
810 |
900 |
1 350 |
| 50 |
|
72 |
216 |
288 |
360 |
504 |
648 |
720 |
1 080 |
| 69 |
|
52 |
157 |
209 |
261 |
365 |
470 |
522 |
783 |
|
|
Lens Selection Guide for Camera with 1/2 Inch Image Sensor
| Lens focal
length: mm |
Horizontal
angle-of-view degrees |
Scene
width in mm @ 1 metre |
Scene
width in mm @ 3 metres |
Scene
width in mm @ 4 metres |
Scene
width in mm @ 5 metres |
Scene
width in mm @ 7 metres |
Scene
width in mm @ 9 metres |
Scene
width in mm @ 10 metres |
Scene
width in mm @ 15 metres |
| 6.5 |
|
984 |
2 953 |
3 938 |
4 923 |
6 892 |
8 861 |
9 846 |
14 769 |
| 8.0 |
78 |
800 |
2 400 |
3 200 |
4 000 |
5 600 |
7 200 |
8 000 |
12 000 |
| 8.5 |
|
753 |
2 259 |
3 012 |
3 765 |
5 270 |
6 776 |
7 529 |
11 294 |
| 25 |
|
256 |
768 |
1 024 |
1 280 |
1 792 |
2 304 |
2 560 |
3 840 |
| 11.5 |
|
556 |
1 669 |
2 226 |
2 782 |
3 895 |
5 008 |
5 565 |
8 348 |
| 39 |
|
164 |
492 |
656 |
820 |
1 149 |
1 477 |
1 641 |
2 461 |
| 51 |
7 |
125 |
376 |
502 |
627 |
878 |
1 129 |
1 255 |
1 882 |
| 69 |
|
92 |
278 |
371 |
464 |
649 |
835 |
927 |
1 391 |
|
CCTV LENS CALCULATOR

click on image to
enlarge
Calculate: 2/3", 1/2", 1/3", 1/4" CCD Horizontal and Vertical
angles for 2 mm ~ 400 mm focal length lenses.
Calculate: Width and Height at 60 mm to 500 metres for 2 mm ~
400 mm focal length lenses on 2/3", 1/2", 1/3" or 1/4" CCD
CCTV Cameras. |
| MICROFINE
Zero Backlash Focussing System for CCTV
Board Lenses. Eliminates "Float" between thread of Lens
and Lens Holder, holds lens more perpendicular to CCD (no skew
due to lens lock screw) very fine precise focussing is
possible and a lens locking screw is unnecessary. |
| Lens
Types
CCTV BOARD
LENSES Consist of 3 to 6 Elements, they produce images
with good overall focus. These are manufactured in a variety
of thread sizes, our cameras and lenses have a 12 mm x
0.5 mm pitch.
FOCAL LENGTH: We stock 2.1 mm to 25 mm. SPEED: F1.8 to F2.5.
The sizes that are suitable for a particular camera are listed
on Camera product Web Page.
CCTV PINHOLE
LENSES Used on tiny video camera modules for covert and
discreet monitoring consist of a simple single Element,
focus and transmittance is compromised for small size,
diameter of Lens "Hole" is ~ 2 to 3 mm.
C &
CS MOUNT
CCTV CAMERA LENSES The C Mount is widely used in CCTV (also
used on some 16 mm Film cameras), it is a 1 inch diameter 32
TPI (Threads Per Inch) mount. The Flange-Focal-Distance to
the image plane of a CS Mount is ~ 12.5 mm and C Mount ~
17.5 mm. C Mount lenses may be used on CS Mount CCTV Cameras
by fitting a 5 mm
'spacer ring'.
IRIS TYPES: Our Board, Pinhole and C Mount lenses are
Fixed Iris,
the light transmittance can only be reduced by fitting
a filter in front of or behind the lens. A
Manual Iris
lens has an adjustable Iris to control light transmittance, an
additional benefit of this is an increasing depth-of-field as
the iris is closed. While transmittance can be varied with
filters or by varying iris size, the low light sensitivity of
the system will be reduced unless the filter is removed or
iris opened. An
Automatic Iris lens varies iris size based on the level of
illumination and may be fully open in low light, user
adjustable Level and Metering controls allow tailoring of
characteristics to cope with most back-lit and other problem
situations. |
|
Composite Video
The composite video output from CCTV
Cameras, Modules, Switchers, Quad Processors etc., may be
connected to the "Composite Video" or "Audio Visual" (AV)
input socket commonly fitted to Monitors, Television Sets,
Video Recorders, Computer Video Capture Cards, Transmitters,
TV RF Modulator (ie
UHF-MOD) etc.
By fitting a UHF-MOD (CCTV-TV/VCR
Interface Module) in coax cable between the TV Antenna and
Splitter, TVs and VCRs connected to the antenna system may be
tuned to receive Video and/or Audio, several UHF-MODs may be
used on different channels with multiple cameras. |
|
Automatic Electronic Shutter
- Exposure Our CCD CCTV Video Cameras
utilise an Automatic Electronic Shutter (AES) system, this
varies the period (shutter speed) during which an electrical
charge is accumulated by the CCD Detector Elements, period
varies (depending on type) from a maximum of 20 milliseconds
to a minimum of 10 microseconds 2000 Times.
The AES will cope with
most normal interior lighting conditions, over exposure is
likely in brightly lit areas with our Hi-Sensitivity cameras
and with OUTDOOR DAYLIGHT scenes. Over Exposure may be reduced
with a Manual Iris Lens, Automatic Iris Lens, Neutral Density,
Polarising and some other Filters.
THE IDEAL Over-Exposure SOLUTION:
For daylight or high levels of illumination if 'Low
Light' sensitivity is to be retained, an 'Automatic Iris' Lens
and C/CS Mount CCTV Camera will produce the best result.
An automatic Iris Lens controls exposure by
mechanically varying it's 'Iris' size in response to the light
intensity at CCD sensor. Other benefits from using an Auto
Iris lens are reduced vertical smear (vertical streaks from
bright areas in the image) this CCD characteristic becomes
more noticeable at higher shutter speeds, the 'Depth-of-Field'
is also increased when the Iris closes.
Our
CS Mount Japanese Lenses produce Sharper Images and pass
more than 2 X more light than most common C Mount Fixed Iris
Lenses, use a CS Mount Japanese Lens for 'Crisper' images, to
improve Low-Light performance of Video Camera / Lens
combination and for Lower-Noise images.
COMPROMISE Low-Cost Partial Over-Exposure
SOLUTIONS:
Variable Density or Polarising Filter:
A variable density filter can be constructed with two
Polarised Filters (FIL-Polxxx),
rotating the filters with respect to each other will vary
light transmission.
In some situations (low sensitivity Colour
CCTV Cameras) a single Polarised Filter may be adequate.
Manual Iris Lens: The Iris can be
manually opened and closed to control exposure.
The solutions above will resolve problems
due to high levels of illumination, however the combined
Camera / Lens sensitivity is reduced considerably, results at
night or in low light will be quite poor unless the Filter is
removed or Iris is fully opened, the Infrared filter solutions
below partially address this problem when using a monochrome
camera.
InfraRed Pass CCTV Filter: The camera (Monochrome) may
be operated in the Infrared Spectrum only, this can be
achieved by fitting a Visually Opaque 670 nm or 730 nm
Infrared Pass Filter (FIL-IR670)
or (FIL-IR730)
over the front or rear of the lens, or the Image Sensor.
InfraRed Cut Filter: The camera
(Monochrome) may be operated in the Visible Spectrum only,
this can be achieved by fitting an Infrared Cut Filter (FIL-IRCUT)
over front or rear of lens, or the Image Sensor.
The Infrared solutions above allow the
characteristics of different Lamp types to be used to
advantage:
The majority of the radiation from Filament
type lamps (Common Spot Lamps, Tungsten, Halogen, etc) is
Infrared, therefore little of this energy will be attenuated
by an IRP filter.
The majority of the radiation from Cold type
light sources (Fluorescent, Mercury/Sodium Vapour, etc) is
Visible, therefore little of this energy will be attenuated by
an IRC filter.
Infra-Red 'Pass' and 'Cut' Filters will also
attenuate transmission of the 'desired' spectrum, reducing the
overall 'sensitivity' of camera.
Long term over exposure (Daylight and
Artificial) will cause deterioration of CCD Image Sensor, this
occurs regardless of whether the camera is powered on or off. |
|
Focus Infra-Red (Monochrome Cameras)
A combination of Infra-Red and Visible
illumination degrades overall focus and image quality,
Resolution, Sharpness, Contrast and Colour-to-Grey Conversion
will be improved, with an Infra-Red 'Cut' (FIL-IRCUT)
filter or Lens with an Integral IR-CUT Filter.
When using Infra-Red Illumination only, lens
setting for sharpest focus will differ from best setting for
Visible or mixture of Visible and Infra-Red illumination.
An Infra-Red
'Pass' filter (FIL-IR670)
or (FIL-IR730)
will allow adjustment of focus in Day or Artificial Light,
readjustment is then unnecessary with Infra-Red Illumination
only.
Infra-Red 'Pass' and 'Cut' Filters will also
attenuate transmission of the 'desired' spectrum, reducing the
overall 'sensitivity' of camera.
The Relative Response (Spectral Sensitivity
Characteristic) of a typical Silicon CCD Image Sensor (SONY)
is approximately:
0.5 @ 400 nm
1.0 @ 530 nm
0.35 @ 730 nm
0.025 @ 950 nm

click on image to
enlarge
This needs to be taken into consideration
when choosing an Infra-Red Illuminator, shorter wavelengths
are 'seen' by the CCD as brighter.
Relative response of a typical CCD sensor to
830 nm wavelength is ~ 14%, response to 940 nm wavelength is ~
4%. |
|
Lens Selection
Angle of view or width of a scene at
a given distance depends upon the focal-length of the
lens and CCD Sensor size (1/4", 1/3" or 1/2"). When choosing
the focal length of the lens, consideration needs to be given
to the purpose of the system, general observation to detect
activity/movement, or the ability to identify a person. Also
dependent on the purpose is the resolution of any recording
and/or display device(s).
For example:
A wide-angle CCTV lens may allow observation and detection of
activity in a large area, however detail will be limited.
If the lens is chosen to give a scene width of 5 metres at a
particular distance, it will be difficult or impossible to
identify a person at that distance. A human head is ~ 20 cm
wide, with a scene width of 5 metres it will be ~ 1/25 th of
the image width. If the camera has a horizontal resolution of
~ 480 lines horizontally there will be ~ 19 picture elements
(live viewing) to represent the width of a persons head.
For additional information about
recognition/identification please see pages 13 & 14 (9 & 10)
of document @
http://www.crimereduction.homeoffice.gov.uk/cctv/55-06_-_CCTV_Operational_Re2.pdf
If the image is recorded on a VHS VCR and
replayed the situation will be considerably worse, VHS
resolution is ~ 320 horizontal lines, this equates to ~ 13
horizontal picture elements to represent the width of a
persons head. If a Super-VHS recorder is used (~ 530
horizontal lines) resolution will be similar to live viewing.
When viewing video taped images quality will be poorer (than
live viewing) due to tape signal-to-noise ratio and other
recording limitations.
In a common shop or showroom situation a reasonable compromise
may be to use a fairly narrow angle lens on a camera
monitoring the entrance, together with other cameras with
wider angle lenses to give an overview of other areas. |
|
Optimum Results
MONOCHROME:
Use an Automatic Iris Lens and an Infra-Red 'Cut' Filter
with 'Automatic Electronic Shutter' (AES) Off, this will
ensure SHARPEST FOCUS, BEST RESOLUTION & COLOUR-GREY
CONVERSION.
COLOUR:
If used outdoors, in brightly lit areas or areas where
illumination varies considerably, use an Automatic Iris Lens
with AES Off. |
|
Smear
Smear is a CCD Sensor
characteristic, strong light entering the CCD sensor
will penetrate the photo sensitive layer and create lag. This
unwanted image is called smear and becomes more evident as
shutter speed increases, the extent that a CCD Sensor can
reject strong light is called the Smear Rejection Ratio. See:
GEM-II for pictorial representation of 'Smear'. |
|
Dynamic Range
Dynamic range is the range between the
darkest and the brightest areas of a scene that a camera can
cope with and still produce a correctly exposed image with
correct colour rendition. Ordinary colour
cameras
normally have an approximately 3:1 linear dynamic range that
is limited by the saturation of Cyan Magenta Yellow and Green
filter at 450 mV and a minimum signal level of 150 mV (450 mV
: 150 mV = 3:1 ). See:
GEM-II for pictorial representation of 'Dynamic Range'.
Higher quality cameras may achieve a wider
range with a better CCD, Digital Signal Processing and a
special RGB mosaic conversion algorithm, these may achieve 750
mV saturation on Red colour and a minimum signal level of 100
mV = 7:1 dynamic range (750 mV : 100 mV) 2.5 times better than
ordinary cameras. For example:
MINI-COL-IR.
An even more dramatic increase in Dynamic
Range can be achieved by using a Double Speed CCD, Digital
Signal Processing & Digital Memory. For example:
GEM-II. |
|
Signal to Noise Ratio
(SNR)
Most ordinary CCTV cameras have a SNR of from
40 ~ 48 dB, better cameras may have an SNR as high as 60 + dB.
The SNR figure quoted in camera specifications is usually as
measured with the camera's AGC (Automatic Gain Control) off.
At normal to high illumination levels the AGC
gain will be quite low, possibly unity (1), therefore the
effects of SNR will be less obvious (unless the SNR is very
low). At lower illumination levels the AGC gain will increase
raising the video signal level, however the noise is also
raised and the effect of noise on the image becomes more
noticeable (similar to noise on a TV image in low signal
conditions).
A cctv camera with a high SNR will produce
cleaner images with less noise under all conditions, SNR is an
even more important consideration as Digital Video Recording
and Transmission (LAN, WAN, Modem, WWW, Telephone Line)
becomes more commonplace. With a high SNR compressed file
sizes will be smaller and throughput higher, this is because
noise which is interpreted as image changes (more data)
increases file size. |
| Blemish
Blemish is latent imperfections in the
photodiodes (pixels) in an Image Sensor, one or more of the
several hundred thousand pixels in a sensor may be imperfect
resulting in a constant or fluctuating White, Coloured or Dark
dot. In common well lit
Home, Shop, Showroom, Office, Warehouse type surveillance
situations a single pixel is usually
imperceptible.
Our Low Blemish cctv cameras are fitted with
Image Sensors that typically have 0 ~ 10 imperfect pixels that
are usually located outside of the more important central area
of the sensor.
While most imperfect pixels are evident
during inspection following manufacture of the Image Sensor
Chip it is normal for pixels in some specialised high
sensitivity Image Sensors (EXview, HAD, Day/Night) to
fail during storage, after installation in a CCTV Camera and
after delivery to the end user, this process will continue
until the latent defects in the photodiodes stabilise.
It is normal for some pixels to fail as part
of the normal aging process during the lifetime of a cctv
camera.
(Picture elements = Pixels) |
|
Day Night Colour Infrared Light Emitting Diode (Night Vision)
CCTV Security Cameras Colour
Day Night CCTV Cameras with inbuilt
Infrared Light Emitting Diodes "See-in-the-Dark" and
produce images when visible illumination is zero.
At average levels of illumination these CCTV
Cameras produce Colour
images, depending on their sensitivity (Lux) at low
illumination levels and in total darkness the image is
Monochrome.
These CCTV Cameras generally have a
relatively high sensitivity image sensor and
Fixed Iris Lens therefore under high
illumination levels images will be overexposed for the reasons
outlined here, an
exception is
MINI-COL-IR which has a special Wide Dynamic Range
allowing it to cope with higher illumination levels than
ordinary CCTV Cameras.
Ordinary Colour CCTV Cameras are relatively
insensitive to Infrared because they have an IR CUT Filter
between the Lens and Image Sensor, this filter excludes
Infrared radiation with a wavelength greater than ~ 700 nm
that would otherwise adversely affect White Balance, Colour
Rendition and Image Sharpness.
Day / Night Colour CCTV Cameras are
sensitive to Infrared because they either do not have an IR
CUT Filter or utilise a special NOTCH IR CUT Filter that
excludes the wavelengths most harmful to colour quality (720 ~
830 nm) from reaching the Image Sensor.
A Colour CCTV Camera that does not have an
IR CUT Filter usually has
poor colour rendition
characterised by a
Pink-Red
'tint' when the illumination is InfraRed rich,
use of a 'Notch' Filter helps however White
Balance, Colour Rendition and Image Sharpness are
compromised for Infrared sensitivity. (Image Sharpness
can be restored by using a specially designed Lens that
corrects the focus shift between Visible and Infrared)
The IDEAL Day / Night Infrared
Sensitive Colour CCTV Camera would utilise an
Automatic Iris Lens to cope with
high illumination levels and the Lens would also have a large
aperture (low 'F' number) to maximise light transmission when
illumination levels are low * it would also utilise a
Traditional IR CUT Filter when illumination levels are
adequate for Colour and then REMOVE the IR CUT Filter
when levels are low
Maxi-D/N
Maxi-dnHQ1
Dome DPS
Maxi-DayNite
Dome-DayNite
Maxi-D/NiteHQ1
DomeIR-DPS Dome-D/NiteEx
Maxi-D/NiteEx &
CCS-IRdnWD2 have these features and
are recommended for OPTIMUM results - the
ULTIMATE SOLUTION is
AutoCam-dn or
DomePTZ-dn2 or
DomePTZ-dn3 these also have
Automatic-Focus to ensure crisp images under all conditions.
Infrared rich
light sources include Daylight and most Filament type lamps
including common Spot lamps, Tungsten lamps, Halogen lamps,
etc.
The majority of Light emitted from 'Cold'
type sources such as Fluorescent, Mercury Vapour, Sodium
Vapour, etc., is visible, these sources contain little
Infrared energy.
SUMMARY: "See-in-the-Dark"
Infrared capability using a
'Notch' or no 'IR CUT filter' is
a trade-off that adversely affects Colour Rendition in
"Infrared Rich" environments.
click on image to
enlarge
 |
|
Motorised Movable IR CUT Filter mechanism / operation
In Day mode (well lit, colour) mechanism
automatically positions IR-CUT optical filter between
Lens and Image Sensor to exclude Infrared radiation that would
otherwise adversely affect colour reproduction, this ensures
colour rendition not possible with
ordinary non-filtered or notch-filter type Day/Night cameras.
In Night mode (low light,
monochrome)
mechanism automatically removes IR-CUT
optical filter to allow Infrared radiation to pass boosting
low light and Infrared sensitivity, the result is
significantly better night images with an
Infrared Illuminator or with
Infrared rich light sources.
Infrared Response
without Infrared filter is ~ 700 to ~
1100 nm better than a
'CCTV
notch IR Filter'.
(Infrared
Night Vision Cameras - more)
click on image to
enlarge

IR CUT Filter Day-Mode
|
click on image to
enlarge

IR CUT Filter Night-Mode
|
|
|
Lithium Batteries
Lithium Ion cells do
not tolerate over-discharge and cells must not be discharged
below 2.5 V/cell or permanent damage may occur
Batteries should be
charged after use as self discharge can discharge the cells
below 2.5 V and cause permanent damage
Li-ion batteries typically
discharge at the rate of 10% per month, if not recharged
If you own and use a
Li-Ion based device, keep it constantly topped up at 100%
charged. When not using your device, leave it connected
to it's charger (to prevent self discharge)
Excerpts above are from
here
Want more ? visit
Battery University |
|
CCIR PAL EIA NTSC SECAM
CCIR = Australian / UK / European Monochrome
TV System
PAL = Australian / UK / European Colour TV System
EIA = USA / Japan Monochrome TV System
NTSC = USA / Japan Color TV System
SECAM = France / Russia TV System
!! IMPORTANT note about TV Systems !!
Although the CCIR/PAL cctv
cameras we stock are incompatible with USA / Japan TVs and
VCRs they can be used with most of Digital Video Recording
Systems for HIGHER RESOLUTION IMAGES than possible with
EIA/NTSC cctv cameras.
For example:
Our DVMR-N8CD
Digital CCTV Video Recorder captures
EIA/NTSC images
@ 360 x 240 resolution (86
400 pixels), it captures
CCIR/PAL images
@ 360 x 288 (103 680
pixels) 20%
MORE DATA.
Our
DVMR-AV4HR Digital Video HDD
Recorder captures
EIA/NTSC images @ 720 x 480 resolution (345
600 pixels), it captures
CCIR/PAL images
@ 720 x 576 (414 720
pixels) 20%
MORE DATA. |
|
Specifications
Are based on information and
data supplied by manufacturers.
Due to continual product development and improvement
specifications may change.
Additional information and data may be available for some
items, if you require additional information, in your request
please specify the parameters you require.
All care has been taken to ensure accuracy of
specifications etc., however we accept no responsibility for
errors or omissions. |
|
Cable
Data (for reference purposes)
VIDEO
RG-179BU, ~ 2.54 mm Ø, ~ 17 dB
attenuation/100m @ 10 MHz.
RG-59BU, ~ 6.15 mm Ø, ~ 3.5 dB attenuation/100m @ 10 MHz.
RG-6/U, ~ 7 mm Ø, ~ 2.3 dB attenuation/100m @ 10 MHz.
RG-11/U, ~ 10.3 mm Ø, ~ 1.2 dB attenuation/100m @ 10 MHz.
For connecting Standard 75 ohm
1 v p-p CCIR & PAL Composite Video Signals between CCTV
Cameras, Quads, Switchers, Monitors, etc.
RF
RG-223, ~ 5 mm Ø, ~ 16.7 dB
attenuation / 30 metres @ 3 GHz.
CS23, ~ 5 mm Ø, ~ 22.5 dB attenuation / 30 metres @ 2
GHz.
RG-142, ~ 4.5 mm Ø, ~ 27 dB attenuation / 30 metres @ 3 GHz
RG-58, ~ 5 mm Ø, ~ 54 dB attenuation / 30 metres @ 3 GHz
RG-316, ~ 3 mm Ø, ~ 60 dB attenuation / 30 metres @ 3 GHz
RG-178, ~ 1.75 mm Ø, ~ 76 dB attenuation / 30 metres @ 3 GHz
For connecting 2.4 GHz
Antennas, Transmitters & Receivers
A low attenuation figure is
best, above data is typical, actual characteristics will
depend on manufacturer & cable grade/quality. |
|